Microblogging Structure?

How will we set up our microblogs?

Random thoughts as we wait for Micro.Blog to launch.


It looks like there are two basic ways to configure microblogs:

  1. Set up a page for only your microblog posts – either on your own site or through a hosted service.
  2. Mix your microblog posts with your regular blog posts.

I wonder which will become the “accepted” way to configure your microblog. From a technical standpoint, both are reasonably easy to configure. 

If you collect all your microblog posts on a single page, it most closely mimics Twitter. But while many of us think of Micro.blog as a Twitter replacement, it is a different service. And some conventions that work on Twitter may not work as well on Micro.Blog.

Personally, I like the way that microblog posts and regular posts can be intermingled. (Manton has his own site set up this way.)

I think the best option for you will come down to how interrelated the content of your blog and microblog are. What would it look like if your blog posts and Twitter feed were interwoven? If they are similar, combining them will make sense. But if you write about technology on your blog and the bulk of your microblog posts are about bird watching, I don’t think it makes sense to combine them.

I look forward to seeing how the service functions before I make any significant decisions. On Sketchbook B, I’ve started to experiment with a separate Microblog page. (The RSS feed coming out of Squarespace seems to conform to the basic microblog structure. More on that in a future post.) I’m not sure I’ll leave it that way. For backing the Kickstarter, I'll get 12 months of Micro.Blog hosting so I'll probably start over there. But I like the idea of hosting all of my writing here, either on it's own page or integrated with my longer blog posts.

Let me know what you think on Twitter or on the Indie Microblogging Slack channel.

Bob Wertz writes about design, technology and pop culture at Sketchbook B. Bob is a Columbia, South Carolina-based designer, creative director, college instructor, husband and dad. He’s particularly obsessed with typography, the creative process and the tools we use to create. In his spare time, he is contemplating this whole microblogging thing will work. Follow Bob on Twitter and Instagram.

If at first you don’t succeed…

Does effort solve all problems?

The third post in my ongoing series on conventional wisdom.

We’ve all heard the classic saying “If at first you don’t succeed, try, try again.” Don’t give up! Determination will win the day! Increased effort is the solution to all problems.

The saying was popularized by William Hickson, a British education writer in the mid-1800s. The full phase is:

'Tis a lesson you should heed:
Try, try, try again.
If at first you don't succeed,
Try, try, try again.

The rhyme was obviously intended for to encourage school children to keep up their studies until they mastered a concept. But this simple message has grown into so much more than that.

The message that “effort solves everything” is ingrained in the American psyche. I’ve seen this phrase used by parents, managers, teachers, pastors and coaches. I’ve even used this phrase with my kids and my students. It’s intended to be inspirational, right? Just try harder and you, too, can succeed.

Often, it’s shortened to just be “Well, if at first you don’t succeed…” and endless and continuous effort is simply implied as an obvious next step.

Is this good advice for kindergarteners learning to ride a bike? Sure. Is this good advice for business? Not really.

“If at first you don’t succeed, try, try again” implies that no matter what, you need to stay the course. If you try harder, you’ll eventually get it. And if you fail, it’s your fault for not trying harder. 

You’ll pass the test.

You’ll make the sale.

You’ll solve the problem.

But all this focus on effort ignores one significant fact: Sometimes, no matter how hard you try, you fail. 

Repeating the same approach over and over might not get you closer to a solution. It only wastes time and resources. Effort is only part of the solution.

So how about an adjustment to the classic saying:

If at first you don’t succeed, ask why.

Once you understand why you failed, it’s easier to figure out a path forward. If you are headed the wrong way, continuing ahead blindly only gets you further from your goal.

Effort alone can’t always solve the problem. If you don’t know how to study for a test, studying more won’t help. Working harder won’t help your sales staff sell a flawed product. When you evaluate what went wrong, you’ll often find an better solution.

Every so often, you’ll find the goals that you’ve set are unachievable. I’m not advocating quitting, but there are times and situations where no amount of effort is going to help you reach an impossible goal. That’s okay. Reevaluate your priorities and figure out the next step. 

Bob Wertz writes about design, technology and pop culture at Sketchbook B. Bob is a Columbia, South Carolina-based designer, creative director, college instructor, husband and dad. He’s particularly obsessed with typography, the creative process and the tools we use to create. In his spare time, he is annoying his kindergarten-teacher wife with this post. Follow Bob on Twitter and Instagram.

What message does a design competition send?

A design competition has nothing to do with “design.”

The fourth part in my continuing series about design competitions and spec work.

Designers look at design competitions and know that it’s a terrible way to design anything. Design is about solving problems and there are proven processes that produce results. Look at the history of government design contests and you have to go back to the design of the Alaska State Flag in 1927 to find a successful one.

So if every serious designer knows it’s a bad way to create a design, why do we keep having contests? Two reasons:

  1. It’s inexpensive. It’s obviously less expensive to have a contest than to hire a firm to design it. Some not-for-profits or governments don’t have the money to embark on a redesign. And others don’t see any value in design and would never spend a dime on professional design services.
  2. The design isn’t the reason for the design contest. The point of a design contest isn’t about creating quality design, it’s about public relations. Drumming up support for your cause. Getting people to talk or tweet about your project, company or organization. The final design isn’t important. The attention is…

Why do most designers feel insulted by a design contest?

Many people act surprised when designers react negatively to design contests, but it really shouldn’t be surprising. When you hold a design contest, you are telling your local design community that you aren’t willing to invest time and energy into a proper design process, and that the public relations value is more important than the quality of design. A design competition sends a very clear message that an organization — or city — doesn’t value design.

Let’s talk about the Columbia Flag design competition for a minute.

Several people have asked me why I’m so concerned about the Columbia Flag design competition. It’s very clearly a public relations campaign to get people interested in a new flag. Predictably, yes, I’m insulted by the fact that my city and the arts organizations in Columbia appear to have no respect for the design community, but it’s deeper than that.

I teach a senior portfolio class at the University of South Carolina. On the first day of class, I ask students what type of job they want and where they want to work. Most of the students want to leave Columbia. After spending four years in Columbia at USC, my students are convinced that they can’t do good work in Columbia. I assure them that it’s not the case, but they leave any way. I’ve seen students go to Charleston, Greenville, Charlotte, Raleigh, New York, Austin, Houston, Knoxville, Atlanta and Chicago. Very few of our young, talented designers choose to stay here.

I hear time and again that the biggest challenge facing Columbia is attracting talent to the community and encouraging them to be part of a growing and vibrant Columbia. The recent Engenuity SC Competitiveness Report ranked Columbia 8th among 10 comparable cities in talent recruitment and retention. We constantly talk about ways to attract talent, while tangibly showing creative professionals that our city doesn’t respect what they do.

I fear that the City of Columbia, One Columbia and the Columbia Design League are solving for the wrong problem. They are concerned about our ugly flag. I’m concerned about building up our creative community.

At the end of the day, the design competition will end with an average flag that is better than the terrible one that we have now. But that banner will signal loud and clear that Columbia doesn’t believe in design.

Bob Wertz writes about design, technology and pop culture at Sketchbook B. Bob is a Columbia, South Carolina-based designer, creative director, college instructor, husband and dad. He’s particularly obsessed with typography, the creative process and the tools we use to create. In his spare time, he's still writing more blog posts. Follow Bob on Twitter and Instagram.