Nice article by Jason Snell on the new MacBook. It's beautiful and I love the Space Gray finish. But I personally need more power than the MacBook will provide, so my next laptop with be another MacBook Pro. Can't wait to try out the Force Click Trackpad, though.
A few months ago, we changed our internet service from Time Warner Cable to AT&T Uverse. The service is great, but we've had an issue with the wireless signal cutting out randomly. My assumption was that there was some interference since the Uverse runs over wi-fi.
We've got an Apple Time Capsule. And when they installed the new service, we connected the Time Capsule to the new router with an ethernet cable and everything worked, until it didn't. I assumed I was going to reconfigure everything. And while I was fine with that, I just didn't have the time to mess with it. So we just tolerated the occasional frustration.
Today, I saw an article on Six Colors by Dan Moran about changing the channel on your wi-fi base station. So after following that guidance and setting my channel to 48, the internet was instantly more responsive on all my devices. Awesome.
Not quite, though. For some reason, while my Macs and iOS devices worked better, my Apple TV freaked out. So I started looking for more details and Six Colors had already posted a second story with more details on how to pick the best channel for your network. I followed their instructions and now everything is working perfectly.
I have no idea why the automatic channel selection wasn't working on the Time Capsule, but manually selecting the appropriate channel seems to work like a charm. Thanks to Dan Moran and Six Colors to solving my wi-fi issue.
(As an aside, if you are a Mac user and aren't regularly reading Six Colors, you are missing out. One of my favorite new sites. Jason Snell is building something awesome.)
My daughter got an email address recently. She's our oldest child and it's the first time someone other than my wife and I have needed an email address.
Here's the thing about email addresses: We often keep them for a really long time. I've had my main email address since 2000. My work address is the same email address I had in 1993. (I work at my alma mater so my current work email address is the same as my student email address.) Others change frequently. I've had numerous work email addresses that ceased to exist when I changed jobs.
I got my daughter an email address through a commonly used email service and she'll probably have that email address for a long time. In fact, until she goes to college, I imagine that will be her email address.
The more I think about it, though, I'd really love to have something like Google Apps for Business... but for families.
A Google Apps for Family (or something similar from someone else) could be a family email service that allows you to use a custom domain name. It'd have some parental controls and would be easy to manage. But it could solve a bunch of other family issues, too. Just off the top of my head:
- Family Calendar
- Synced Shopping List
- Photo Sharing
- Family Blog
- Document Sharing
I'd happily pay for a single service that could help me manage my family's chaos.
I can use any number of services to host the email. And other apps can cover the other needs. But as the parent/administrator, I want something easy to manage and a single, cohesive solution would be so much easier.
My oldest child just got email. I hope by the time my youngest is ready for email*, there's a better solution.
*Assuming people still use email, but that's another blog post all together.
Everyone is talking about whether or not Apple is building a car. Reporters have speculated. Lots of smart people have weighted in. And while I'm not sure that Apple's working on a car, I wouldn't be surprised if they are. For one, very specific reason:
The electric car is the single most exciting design opportunity in generations.
Everyone has focused on the software possibilities. The integration between computer and electric car. But changing from gas-powered to all-electric is more than that. An electric car removes the engine, emissions system and gas tank. These changes free designers to experiment with new configurations and to reinvent the automobile. The limitations of over a hundred years of automotive design are removed.
And yet, all of the electric cars on the market still look mostly like... well... cars. The Leaf, Tesla Model S and BMW i3... even though they don't need room for an internal combustion engine, they still look similar to gas-powered automobiles.
There are reasons for this. Crash test standards are based on non-electric cars. Marketing a completely new concept is challenging and risky. Aerodynamics are vital to achieve maximum range. Car manufacturers have (logically) stuck with what has worked in the past. And once upon a time, phone manufacturers thought physical keyboards were an irreplaceable feature for smartphones.
Apple's a disciplined company. They will only release a car if they can make a profit. But of all the reasons for Apple to tackle the car, I can think of only this: Whoever masters the design of the electric car will shape automotive design for the next hundred years.
(One more footnote... Mainstream car makers don't really experiment with new materials. The one exception that I can think of was Saturn's plastic body panels. And that didn't turn out so well. Apple loves to explore materials...)
Everyone has questions about the Apple Watch. What will it cost? How long will the battery last? How well will third-party apps work? But I have a completely different question:
Where's the jewerly counter?
When I buy a watch, I want to try it on. See how it feels. Test out different bands, styles and sizes. And the more I think about it, the Apple Store as it is currently configured is a terrible place to buy a watch.
And that's why I think the most expensive versions of the watch will never make it to Apple Stores, or any other mass market retailer for that matter.
The base Apple Watch Sport will cost around $350. And I'm sure you'll buy those like an iPhone or an iPad. They will be on display at your local Apple Store and when you are ready to buy one, they'll bring a box out from the back. And you'll probably be able to get them at other retailers, too, like Best Buy and Target.
But the more expensive models — ones that cost thousands of dollars — will never make it to the Apple Store. Or Best Buy. Or Target. Because quite frankly, that's not how you buy a $10,000 solid gold watch.
Expense watches and jewelry are sold through a network of high-end fashion retailers and small jewelers. And it would make sense for Apple to work with these retailers to sell the most exclusive models. I would imagine that at launch, there will only be a handful of locations in the world where you can buy an Apple Watch Edition. (The lack of leaks coming from these retailers would tend to indicate that it's a very small, very selective network.)
But what about the regular non-sport, non-edition Apple Watch? The stainless steel versions? Where will you be able to buy those? John Gruber's detailed and logical post on Apple Watch pricing estimates these will cost at least $1,000. That's an expensive watch to sell though the Apple Store, but I do think they will carry them. And I would assume that high-end fashion retailers will carry them as well.
(As a random aside, what if one or more versions of the Apple Watch were available exclusively through the Apple Store? Maybe the Milanese Loop?)
- Apple Watch Sport will be available at the Apple Store and other retailers like Target and Best Buy.
- The Apple Watch will be sold through the Apple Store and a select network of high-end retailers.
- And the solid gold Apple Watch Edition will be sold in exclusive high-end retailers only.
I'm still skeptical about the buying experience for the more expensive watches at the Apple Store. There's no room for a jewerly counter.* And when the Apple Store is crowded — and it's always crowded — I can't imagine an Apple Store employee pulling out watches for a customer to try on. And I can't imagine a customer buying a thousand dollar watch without ever having tried in on.
I'm sure Apple has a solution for this. I'm sure they are aware that a crowded Apple Store is a less than ideal experience for purchasing a high-end watch. I can't wait to see what they come up with.
*Unless they completely redesign the Apple Stores...
I've posted two new presets for Flare 2, Rose-Colored Glasses and Tunnel, on the Flare Presets page. Note that these will only work with Flare 2. The new preset format doesn't work with the first version of Flare.
Rose-Colored Glasses is a filter that tints the image. The default is pink, but it can easily be altered to any color. Just change the colors in the Duotone filter. The gallery below has rose, garnet and blue.
Tunnel is a desaturated filter with a heavy vignette. Designed to make most images look pretty ominous.
For about 9 months, I published a quick tip for Adobe apps almost every Wednesday. And while I enjoy posting them, coming up with a new tip weekly was starting to be challenging. So I'm going to scrap the weekly posting schedule and just post them as I find them. You can find the most recent tips on the Creative Cloud Quick Tips page.
One of my designers pointed out this great tip the other day. I usually send PDF files to printers, but occasionally I have to package a job to give to another designer, send to a vendor or archive on a server.
In InDesign CC 2014, you create a package the same way you always have – "File > Package..." but there is an additional twist. When you go to save your packaged folder, two new options are at the bottom of the save dialog box: "Include IDML" and "Include PDF(Print)."
These are definite time savers. I often have to save an IDML file for those who haven't upgraded to Creative Cloud and the ability to save a PDF with a specific preset saves another step.
It's a nice addition by Adobe to make a commonly used feature more powerful.
I was trying to get some materials printed yesterday at the office and InDesign was repeatedly crashing shortly after I hit print.
I usually ignore the "Crash Report" dialog box. No offense to Adobe, because I ignore them from Microsoft and Apple, too.* But I was on a deadline and I was irritated and so I typed "Trying to print" in the text field and hit "Send Report." I started to reopen InDesign.
I didn't notice the checkbox to "Allow Adobe to suggest a solution or work around." But then, another message popped up: "Adobe has found a solution or workaround for the recent crash in Adobe InDesign CC 2014. Please click here for further details."
I'll be honest, I was so floored, that I didn't take a screen shot or really read it too carefully. (I had to recreate to crash to get the above screenshots.) I clicked the link which took me to "InDesign & Illustrator | Crash while printing to Fiery RIP." Which, by the way, was exactly the solution to my problem.
I'm guessing the error code pointed exactly to the issue with the Fiery. I have no idea if Adobe provides this kind of troubleshooting help for other known issues. I've never seen it before. I'm guessing this feature was added in a recent version on Creative Cloud. But it was helpful, and I really had no idea that Adobe** could even respond in that way.
So today's quick tip is "Don't ignore the crash report dialog box." You never know when you'll get unexpected troubleshooting help.
* A random note: I will fill crash reports out for small developers. I guess I think my data will mean more to them since they have a smaller installed base.
** Or that any company could automatically respond to a crash report. I really just assume that all troubleshooting info goes into some giant automated database that no one looks at...
If you aren't familiar with the original Flare, it allows you to apply and fully customize Instagram-like filters at full resolution. And while there are Photoshop actions that can replicate filter sets, the ease and power of Flare make it a great tool for designers. (And as an added bonus, it's really fun to use.)
Flare 2 improves significantly on the original and adds a pretty clever companion iOS app.
For me, the biggest improvement is a rethinking of the interface. Presets are to the right and customization is on the left. You can now have multiple images open... a big help when you're trying to apply similar effects to bunch of pictures. And light and dark interface themes are a welcome addition.
The new interface makes it easier to find and organize presets. Preloaded effects are on a "Best of" tab. Another tab keeps track of your saved effects. And a third tab keeps track of snapshots — a history that lets you return to previous settings.
Flare 2 adds a new simple edit feature. Simple edit allows the creator of the preset to pick a handful of settings that will impact the filter's effect. And if that doesn't work, then you move into advanced edit. It works well, but will take a little while to figure out exactly which sliders to add to the simple edit popup.
Flare 2 adds a few new filters and effects to the already solid arsenal. And before adding new effects, you can see a preview. It's a nice touch.
Completely new is the iOS Flare Effects app. You download the app to your phone, open it and... instructions... The app contains a couple of slides with instructions. Follow the instructions and your Flare effects are available from Camera Roll or Camera app. It's really impressive. I was expecting a full featured app, but Flare Effects takes advantage of iOS 8's extensions to work with the app you already use. It's nice.
And it automatically syncs all your effects to your phone and groups your favorites together. I'm actually not sure how it syncs the effects. I didn't log in or create an account so I'm assuming it uses iCloud. It's pretty much magic.
I'm thinking more than a handful of social media managers will create a custom look for their Twitter, Instgram and Facebook feeds and then use Flare 2 and Flare Effects to apply it consistantly.
For a limited time, Flare 2 is $9.99 on the app store. Flare Effects for iOS is free. I think it's a great addition to any designer's toolkit for quickly adding effects to images or illustrations. And being able to use your effects on iOS makes Flare even more useful.
FYI: I need to update my presets on my Flare page to more easily work with Flare 2, but they all should work fine. And I plan to add more in the next few weeks.
For whatever reason, I occasionally end up with punctuation issues in Adobe Illustrator. Thankfully, there is a quick – and powerful – way to correct common typographic issues across an entire document in Illustrator. Simply go to Type > Smart Punctuation...
Choose the issues you need to fix and zap all those annoying dumb quotes, double spaces after a period and awkward dashes with a single click.
InDesign will let you create a QR codes without leaving the application. Go to Object > Generate QR code... You'll have options for hyperlink, text message, email, business card or plain text.
Once you have all the information filled out, you can then place the QR code like you would an image.
I will freely admit that I tend to avoid QR codes like the plague. I'm not convinced of their effectiveness. But sometimes, you need to use one and generating one without leaving InDesign is helpful.
I was in the grocery store the other day. Normally, canned music plays over the speakers, but this day, it was interrupted repeatedly by announcements every few minutes encouraging people to take a post-visit survey and say you were "highly satisfied."
I bought a car a couple of years ago. The sales rep asked several times if I was "highly satisfied." I assured him that I was. He mentioned that I might get a phone survey from the car company and if I did, to make sure I answered that I was "highly satisfied."
I did receive a call — from the dealership. They wanted to make sure that I was "highly satisfied." When I told them that I was, them reminded me that if I get a call from the car company, to tell them that I was "highly satisfied."
What's going on here? Why is everyone so concerned that I am "highly satisfied?" Because that's the only acceptable answer.
Car dealerships, retail stores, financial services institutions, insurance companies and other businesses* all want to improve customer experience. So they create surveys to see where they need to improve.
Often, bonuses for staff and managers are tied to the responses. Managers and staff obviously want the bonus money, so they go to great lengths to ensure that all customers report that they are indeed "highly satisfied."
The salesman at the car dealership confided that the only answer that was acceptable to the higher ups was "highly satisfied." Everything else is a failing grade and results in the sales team taking a personal financial hit. I had a similar conversation the other day with someone in the financial services sector.
This is a ridiculous misuse of metrics. Instead of testing whether a customer is actually satisfied, you are testing how skillfully the management can manipulate the customer into responding with the highest ranking. These survey results give you no real insight into the mind of the consumer. You've simply created a system to feed you the information you want to hear.
A survey with one "right" answer creates a situation where the goal for the staff is not a happy customer — it's a successful survey. If a company wants honest survey data, they have to get real, uncoached answers. And that means not pushing the customer into giving a particular response.
* And software companies. The same basic principle is at play in the app store. Everyone is pushing to get the highest star rating because apps with higher rankings are more profitable. The emphasis isn't rating the app accurately, it's playing the game to get the highest ranking.
Tucked away in InDesign's Window menu is a Story palette. This palette has exactly one function – to turn on and off optical margin alignment.
You can find the Story palette at Window > Type & Tables > Story. There are two settings. The first is a checkbox to activate optical margin alignment. And the second alters the intensity of the alignment.
Optical margin alignment automatically adjusts the positioning of characters on the margin. It's especially noticeable for punctuation and letters like "A" and "W" which look a little odd lined up exactly on the margin. See the example below.
I'm not sure why Adobe didn't just include it on the Paragraphs palette. Seems odd to hide such a powerful feature on a random single-function palette.
When the iPhone was released in 2007, I had never paid more than $15 for a phone. Whatever phone was free with contract was what I purchased. I simply didn't see the point of spending significant money on a phone. But when the iPhone was announced, I wanted an iPhone. And now, 7 years later, every two years or so, I drop significantly more than $15 on the newest model of iPhone.
I've never paid more than $150 for a watch. I don't wear one every day. I really didn't see the point in investing a significant amount of money on a watch. But now I look at the newly announced Apple Watch.
And I want a watch.
I read John Gruber's thoughts on the new Apple Watch the other day. And what he's thinking is what I was thinking. The Apple Watch Sport will be $349 and the prices will increase significantly from there. Luckily, I like the Sport. But I really like a bunch of the other models as well — especially the stainless steel Apple Watch with Milanese Loop.
I have lots of questions about the Apple Watch. But cost really isn't the major concern. I expect a quality device with a premium price tag. But the more expensive the watch, the more these questions impact my decision.
Will the battery charge last for the entire day? For me to buy an Apple Watch, the charge has to last for at least a full day. And then hopefully, I'll remember to charge it every night. (I stink at remembering to charge my devices nightly.)
Will the Genius Bar become a jewelry counter? If I'm going to spend this kind of money, I want to try it on. See how it feels on my wrist. Think about the current Apple Stores. How in the world would they accommodate that type of customer interaction? They are already incredibly crowded. Will other retailers sell the Apple Watch? Can you see Best Buy selling solid gold watches? My guess is that Apple will offer the Sport through various retail channels, but the more expensive models will be sold exclusively through the Apple Store.
What will the upgrade cycle be like? Most of us buy an iPhone every two years. But that's because it's tied into a contract. I update my iPads and my Mac less frequently. How frequently will I upgrade my Apple Watch? For me to invest in a more expensive version, it's going to need to last more than two years.
Can I run with my Apple Watch without my iPhone? If I want to use my watch to workout, I don't also want to have to carry my iPhone. If all the GPS and network connectivity is in the iPhone, won't you need both with you to take advantage of apps like Nike Plus? And who wants to run with a giant iPhone 6 or an enormous iPhone 6 Plus? If I can leave behind my iPhone and run with just my Watch, then I'm interested. Otherwise, I'll leave the watch at home and run with my iPhone like I do now.
As we get closer to the release, we'll discover the answers to some of these questions. I have confidence that Apple will do its best to address these issues.
I intend to buy an Apple Watch. Will I spurge and go with the more expensive option? Probably not initially. I have trouble with the idea of investing in an expensive watch that is obsolete after a few years. But just like how Apple changed my attitude towards buying mobile phones, I think they will radically change my attitude towards buying watches.